With much of America lying in ruins, the rest of the world braces for a global sharknado, Fin and his family must travel around the world to stop them.
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Danny and Phil O’Donnell are chronically underachieving cousins, who are forced to run the family pub, in order to save their crazy Uncle Pete from jail and financial destitution. The boys instigate a number of hilarious schemes, from turning the pub into a strip club to a high school speakeasy, just to keep it afloat.
Blondie and Dagwood are about to celebrate their fifth wedding anniversary but this happy occasion is marred when the bumbling Dagwood gets himself involved in a scheme that is promising financial ruin for the Bumstead family. Camping on the porch of the Poor House would become the most-used prevalent plot line in the 27 series-films that followed. It was also an issue in the comic-strip for about a year after its inception when it was basically a continuity strip but, aside from Dagwood’s inability to coax a pay-raise from Mr. Dithers over the years, the financial status of the family was seldom an issue when the format switched to a gag-a-day strip.
In the second installment of the Dhoom series, Jai and Ali are back as the buddy cops on their toughest job so far. “Mr.A” is an international thief who has planned to steal a priceless artifact in Mumbai and the police have got to nab him. But Mr.A manages to steal the artifact and elude the police. He finds his match in Sunehri and they form a partnership. They move on to Rio for their next job, with Jai and Ali hot on their trail. Mr.A whose actual name is Aryan, and Sunehri are drawn towards each other but little does Aryan know of Sunehri’s little secret.
Reese, an elite member of a covert unit of Ninja Warriors, is captured. Being tortured for information, Reese recalls the lessons learned from his training in order to fight his way free and stop an evil conglomerate from arming a dangerous weapon.
In the not too distant future a secret government re-animation chemo-virus gets released into conservative Sartre, Nebraska and lands in an underground strip club. As the virus begins to spread, turning the strippers into “Super Zombie Strippers” the girls struggle with whether or not to conform to the new “fad” even if it means there’s no turning back.
Crimes of the Future is set in a future where sexually mature women appear to have been obliterated by a plague produced by the use of cosmetics. It details the wanderings of Adrian Tripod director of the dermatological clinic the House of Skin. Tripod seems at a loss following the disappearance of his mentor Antoine Rouge.
Three tales are told, each one increasingly terrifying. The first tells the story of a woman being stalked by an axe-weilding maniac. The second is the story of a man who pays the ultimate price for a beautiful head of hair. The final tale shows what it is like to see life through the eyes of a killer.
“Kickin’ It Old Skool” revolves around a 12-year-old breakdancer, who in 1986 hits his head while performing at a talent show and as a result is comatose for 20 years. He awakens to find he is a grown man. With the mind and experience of a young kid, he attempts to revive his and his dance team’s short-lived career with the hopes of helping support his parents’ failing yogurt shop.