Two lovers travel from town to town playing a dark game of deceit that soon spirals out of control, threatening their very relationship.
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Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.
American girls dream of finding romance in Rome, but there is none for secretaries, Anita tells her replacement at the USDA. But Maria soon meets Prince Dino de Cessi at a party at her boss’s home who invites her to fly to Venice in his private plane. Frances, who has been in Rome for 15 years as the secretary of a successful American writer who talks a lot like George Bernard Shaw and is just as elusive as Professor Henry Higgins in “My Fair Lady,” tells her at first to say “no” and then decides that together they can handle the man nicknamed the predatory prince. Coins tossed in the Trevi Fountain can indeed work magic.
Out-of-control, trash-talking buddy cops Marcus Burnett and Mike Lowrey of the Miami Narcotics Task Force reunite, and bullets fly, cars crash and laughs explode as they pursue a whacked-out drug lord from the streets of Miami to the barrios of Cuba. But the real fireworks result when Marcus discovers that playboy Mike is secretly romancing Marcus’ sexy sister.
The youngsters Matahi and Reri are in love with each other. The old warrior Hitu announces that Reri is to be the new chosen virgin for the gods. This means she must stay untouched, otherwise she and her lover will be killed. But Matahi abducts and escapes with her to an island ruled by the white man, where their gods would be harmless and powerless. Tabu is the last film from director F.W. Murnau; he died before the film’s premiere in a car accident.
Switzerland, 1955. The young orphan Max is sent as a foster child and contracted to work for the Bösiger family who lives on a farm. His foster parents treat him like a workhorse while their son seizes every opportunity to humiliate him. Playing the accordion is the one thing that is entirely his. But when the new teacher stands up for Max, it only makes a bad situation much worse. The only thing preserving his will to survive is his friendship with Berteli, who was also taken on to work at the farm. Max dreams of Argentina with her: a fantasy world, where allegedly even hayforks are made of silver.
When two American girls on a bike trip in a remote part of Argentina split up and one of them goes missing, the other must find her before her worst fears are realized.
Ten lost souls slip in and out of one another’s arms in a daisy-chained musical exploration of love’s bittersweet embrace. A film adaptation of Michael John LaChiusa’s celebrated musical, originally based on Arthur Schnitzler’s play, La Ronde.
An hour before the five best Dutch dance crews fly to a contest in New York, the subsidized trip is cancelled. Five dancers from totally different crews don’t want to give up their free plane ticket and go anyway. In New York they realize what they’ve done. They have no money, no plan and no crew. But… They came to dance so there is only one thing to do. Together they form a new crew and do everything they can to enter the contest they came for. In the mean time… they have to survive two weeks in New York without any cash. Written by Tijs van Marle
Young and talented Han van Meegeren is a rebel in the early 1920’s Amsterdam art-scene. Because he paints in the style of his idols Rembrandt and Vermeer, critics find his work old-fashioned and they call him a copycat. Just to prove a point, he produces a fake Vermeer and tries to pass it off as a real one. It works. Instead of revealing the truth and thereby embarrassing the art world, he continues to make money off of his many forgeries. Soon he is caught in a web of lies and deceit, and his life spins out of control. Then one day, high ranking Nazi Hermann Göring knocks on his door, looking for a Vermeer for his private collection…
Former federal agent Jack Bauer confronts African dictator Benjamin Juma, whose forces have been ordered to capture the children Bauer oversees for malicious military training.