This collection of five short films artfully portrays desire’s ability to both empower and destroy those who encounter it. In “The Summer House,” sultry teen Jane (Talulah Riley) is courted by a former beau, Richard (Robert Pattinson), during the chaotic summer of 1969. Other tales revolve around a waitress (Amy Adams) desperate to rescue her young daughter, and a techie (James Franco) who uses gadgets to keep emotions at bay.
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After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.
Set in the present where a group of ruthless gangsters, an unknown woman and an escaped convict have met, unwittingly, in The Forest of Resurrection, the 444th portal to the other side. Their troubles start when those once killed and buried in the forest come back from the dead, with the assistance of the evil Sprit that has also come back, come back from ages past, to claim his prize. The final standoff between Light and Dark has never been so cunning, so brutal and so deadly. This is where old Japanese Samurai mysticism meets the new world of the gangster and the gun. Gruesome, bloody and positively bold.
The film tells the story of an eight meter long crocodile on the rampage in Hangzhou. Xiao befriends Amao, a 36 foot crocodile, who lives on his fathers croc sanctuary. Soon his father is forced to sell the crocodiles to a gangster who plans to use them for high priced meals. The story begins.
Disillusioned dentist Ali Nawaab hopes to become a stand-up comedian but his attempts to find a voice on stage are hampered by memories of his blonde American muse, Ellie Goldsmith. Driven mad to the point of distraction by love, Ali must confront and exorcise the ghosts of his past in order to make his mark.
In 1923 British Colonial Nigeria, Mister Johnson is an oddity — an educated black man who doesn’t really fit in with the natives or the British. He works for the local British magistrate, and considers himself English, though he has never been to England. He is always scheming, trying to get ahead, which lands him in a lot of hot water.
A story about the childhood of Oz in Jerusalem and his youth in the Kibbutz during the British Mandate and the first days of the state of Israel. The plot describes the relationship between young Oz to his mother and his first steps as a writer.