A Blanc-Biehn production centered around the idea of a governmentally designed drug created to help correct or strategically alter perceptions gathered during times of trauma or stress. Slated as being a substance that may help solve issues with everything from racial tensions, PTSD and geopolitic battles, first a focused study is needed to see how people respond to treatment and what dosages might be needed. Four couples are chosen to test this drug, and soon find their memories and sanity challenged.
It took Anna 10 years to recover from the death of her husband, Sean, but now she’s on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband’s life is uncanny, leading her to believe that he might be telling the truth.
A group visits Saipan to search for locations for their company’s newest resort. As they find what they think is the perfect spot, they discover a hidden bunker on the property which they decide to explore. However, they soon find out that curiosity can kill. As each member faces their most private secrets and the secrets of the bunker itself, the results lead to a most shocking conclusion.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…